North Perth House Jonathan Lake Architects

North Perth House Jonathan Lake Architects

HOUSES•NORTH PERTH, AUSTRALIA

Architects: Jonathan Lake Architects

Year : 2014

Photographs :Robert Frith

Manufacturers :  Hettich, Pozzi Ginori

Structural Engineer : Scott Smalley Partnership

Builder : Michael Bradshaw

City : North Perth

Country : Australia

The goal of this project was to show how a large family home may be built on a small inner-city lot. Its goals 

were to dispel the myth that architecturally designed homes were beyond of reach for the average family and to demonstrate how a tiny block could still include a good amount of outdoor living and gardening area. Finally, we aimed to create a home that gave people's spaces the upper hand than automobiles'. This design only had a two-car parking area off the rear right of way, not a lock up garage.

The project's location is an inner suburban Perth block that has been rear subdivided. The block is reachable via a rear right-of-way. Due to the site's limited space, it was necessary to design a straightforward two-story home with a close connection to the location and the surroundings.

The structure of the home is simply a box made of wood that is situated atop walls made of stabilized recycled 

concrete. The substantial walls, which separate the interior from the exterior living spaces, are buried in the 

ground. The openness and elegance of the areas within are hidden by the walls, which solidly delineate the right of way.

The private portions of the house are located in the wooden box on top of the walls. These areas project above the concrete walls below, indicating the upper level's box-like aspect. Each room is placed to maximize its relationship to the environment, framing views of the City and treetops, for example.

Through the use of fewer materials and a more straightforward form, the project explores concepts of restraint. A limited budget necessitated creative material and design choices. The walls made of stabilized concrete didn't need to be painted or finished. By using a clear finish to showcase the natural color and texture of the wood, the wood has been highlighted.

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Henley Street House Jackson Clements Burrows

Henley Street House Jackson Clements Burrows

HOUSES•AUSTRALIA

Architects: Jackson Clements Burrows: Jackson Clements Burrows Architects

Area : 370 m²

Year : 2009

Photographs :John Gollings Photography

Barwon Heads is going through a tremendous shift right now. Older fishing shacks are currently protected by 

heritage overlays while the less important parts of the beach town are gradually renovated. This small coastal 

township's progress is now greatly aided by architecture, and in this instance, a young family hired us to design 

a new permanent home to replace a run-down two-story house from the 1950s that was beyond repair.

Unwanted or not, the township has gained popularity in the last ten years as a result of ABC's Sea Change series, 

and both the town and its diverse population have unconsciously split into morphing factions that are always 

discussing the advantages of advancement or change.

Similar opposition to a new bridge is shown in this community to the rise of architecture. Clients sometimes 

hesitate before accepting modern architectural designs because they worry that there will be a backlash and they 

might end up being burned on the cross. Many people have strong opinions about how it will affect the way the town 

looks in the future. Our clients were locals rather than new "sea-changers," and they were fully devoted to 

opposing the evil entity that controls the Silver Haired Resistance, which is somewhat seasonal in nature.

The Hippy and the Yuppy, who were deeply in love and had three young children as well as an open brief, built a 

new two-story house on a sizable piece of land to serve as their permanent home. They asked for a "green" home 

that would suitably add to the township's developing contemporary identity. The request for a planetarium, which 

"would be sort of great, so we can lie on our backs and marvel at the stars... yeah?" was an odd and mildly 

humorous presentation.

We immediately started exploring circular forms as a loose allusion to the classic stargazer in answer to this 

half-joking request. The limitations of the pure circle presented a challenge to the design concepts, which 

eventually developed into a collection of expansive areas hidden beneath a largely circular form.

The battened skin gives the upper form's private rooms the necessary privacy as well as crucial solar protection 

for the glass windows. Additional ESD techniques include high efficiency double glazing, underfloor heating, solar 

hot water systems, solar pool heating, rainwater retention and harvesting for use in toilets, gardens, and washing 

machines. Since the home received a 7.5 star energy rating, air conditioning equipment were not necessary.

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La Pinada House Fran Silvestre Arquitectos

La Pinada House Fran Silvestre Arquitectos

HOUSES•PATERNA, SPAIN

Architects: Fran Silvestre Arquitectos

Area : 722 m²

Manufacturers :  Geberit, Alias, Zucchetti, Betacryl, Dekovent, Eggersmann, Flaminia, Gandia Blasco, Levantina, Papema

Interior Design : Alfaro Hofmann

Collaborators : María Masià, Estefanía Soriano, Fran Ayala, Ángel Fito, Pablo Camarasa, Sandra Insa, Santi Dueña, Ricardo Candela, David Sastre, Sevak Asatrián, Álvaro Olivares, Paloma Márquez, Eduardo Sancho, Esther Sanchís, Vicente Picó, Erika Angulo, Alba Monfort, Ruben March

Structure : Josep Ramón Solé (Windmill)

Project Manager : Studio 2

Technical Architect : Carlos García

City : Paterna

Country : Spain

The narrative of this home is told over twenty-one plateaus and seven books.

The project's goal is to give a house that has belonged to the same family for many generations a fresh and 

distinct identity. The original house was created through the combination of several interventions made at various dates and using various construction methods. Each room in the house reflects a certain chapter in the life of this family. Therefore, it was crucial to preserve the architecture, areas, functions, garden, and memories while also presenting them in a novel manner.

The objective of the project is to inject new life into a home that has been in the same family for many 

generations. The original house was built by combining a number of alterations carried out at various times and 

using diverse construction techniques. Every space of the home represents a specific period in the life of this 

family. In order to portray the architecture, places, functions, garden, and memories in a fresh way, it was 

essential to conserve them.

Rooms with a broad range of sizes and heights are produced by the interior's regard for the system of intermediate levels. The furnishings, which are the same gray hue as some of the garden's tree species' trunks, contain the old home's supporting framework.

The house is intertwined with the pine trees and the pleasant memories that abound here.

#trisarchdaily #archdaily #lapinadahouse

Music by : Bensound - Ukulele

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House Elvesgarden Stephan Maria Lang Architects

House Elvesgarden Stephan Maria Lang Architects

HOUSES•MUNICH, GERMANY Architects: Stephan Maria Lang Architects Area : 830 m² Year : 2020 Photographs :Sebastian Kolm Manufacturers : Bauer Innovativ, Marmor Baumann, Viabizzuno, Vola, Wiedemann Werkstätten Structure Engineer : Kohlars + Krückl Carpenter : Zimmerei Andreas Böhmer Design Director : Stephan Maria Lang Design Team : Steffi Senula, Tobias Hoffmann Interior Designer : Annamaria Papp Ionescu Plantsman : Franz Wieland Fire Protection : Alexander Hann Architect Joiner : Rolf Gerhard Möbel & mehr Metal Works : Max Gampenrieder Metallbau City : Munich Country : Germany

The young widow's physical and spiritual well-being were priorities when the Elves Home with the dark indoor pool was constructed. The project aims to produce something potent but understated. a delicate location that gives serenity and diverse viewpoints of the surrounding wildlife throughout the year.

It was more than just a practice in aesthetics. It is a place for spiritual renewal and purification of the body and soul. The main problem is an architecture that is closely related to nature, produced, and placed in relation to the surrounding forest-like landscape. Any architecture must have a strong connection to the outdoors and the changing seasons.

It's all about the various ways that light can be paired with its opposite, the shadow. Vertical apertures to the south allow direct sunshine into the depth of the space, while large glass doors to the west and east terraces link to the garden. The glossy painted ceilings and the bronze-plastered fireplace reflect the greenlight that is filtered by the huge trees. The inner grass wallpaper-covered walls and the dark-toned oak floor absorb the shadow play.

Warm and dark natural fabrics absorb the sunshine like a forest. The Japanese tradition of semi-dark, gloomy rooms, where the colors appear muted and the glow emanates from within, has an impact on the atmosphere. a place where the dark is warm and profoundly colorful.

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Link Youtube : https://youtu.be/A59uFcAWgJE

Brick House in La Eliana Sanchis Olivares

Brick House in La Eliana Sanchis Olivares

HOUSES•L'ELIANA, SPAIN

Architects: sanchis olivares

Area : 198 m²

Year : 2022

Manufacturers :  Ceramicas Mora, Cortizo

Construction Company : ATG Desarrollos

Quantity Surveyor : Julián Gordo

Construction Manager : Jaqueline Ramón

Pergola : Ernesto Pastor

Carpentry Expert : Ernesto Pastor

Windows : Juan Antonio Gil / Aluvista

Stone Supplier : Mármara piedra

Kitchen Consultant : Cocinas Llorens

City : L'Eliana

Country : Spain

We were asked to construct a single-family home on an old tennis court in the Valencia suburb of a long-

established beautiful city. It provided us with a flat area with background greenery, a large tree, and an ancient 

subterranean warehouse that had been converted into a swimming pool.

Due of the lack of communal activity in the streets of this urban model, we have developed an interior-focused 

typology to better understand how users interact with outdoor space.

The program is set up in a spine from the northern entry area to the terrace at the southern end of the property 

due to its length. The morning light enters the rooms through openings, gaps, and a courtyard on the east façade, while a flat, opaque façade on the west side seeks shade from the sun under the nearby greenery.

The house is constructed using white clay bricks as a nod to the nearby residential architecture. Each piece's 

size enables us to roughly translate the volumetric forcefulness that characterizes the project's outside 

appearance to the human scale. This assertiveness reaches its pinnacle in the vertical component that defines the "paellero," a significant aspect of Valencian social life. It is set off by a light, overhanging pergola made of 

pine slats on the southern terrace, which creates a covered outdoor area. The thickness of the enclosures, cross ventilation, and how the house responds to varied sun orientations all work together to generate a system of passive measures that enhance the climatic performance of the building.

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Muted House Aboday Architects

Muted House Aboday Architects

HOUSES•JAKARTA CAPITAL REGION, INDONESIA

Architects: Aboday Architects, Aboday Architects

Area : 260 m²

Photographs :Happy Lim

Ideally situated in Kebayoran Baru, this family home is on 260 square meters of land and is close to a main connecting route that can get congested during the morning and afternoon rush hours. Despite being close to the Jakarta Central Business District, the location is obviously not the best option for a family with three adult children.

The key issue that must be addressed in the design of this home is the requirement for a large amount of playground and activity area for kids. The house itself need not scream "identity" in order to fulfill the client's request. It has a striking subdued geometric prism facade in front of it that is set back 5 meters from the main road and painted in a warm, textured gray surface. The front, which has a few sporadic small square glass boxes on one side, is as drab as the inside walls, which are entirely stark white.

What the inside lacks in the front yard (as a playground), it makes up for inside. The house was divided into 2 main components by the architect to provide room for an interior playground. The 4.5-meter distance between these two blocks creates high voids that rise to a height of 12 meters over the narrow 'bridge' that connects the two distinct blocks. This bridge connects the pantry to the children's room, which doubles as a floating playground and has a view of the dining room below. It is a light, airy place because of the skylight above it. The high ceiling helps create air movement naturally, reducing the need for the air conditioning equipment. All of the bedrooms have internal windows that open to the central lofty voids, fully utilizing the principle of borrowing space to give the family's chambers a more spacious appearance. Children will fill this interior area with games and laughing during the day, while at night, the high ceiling will help control fresh air, bringing down Jakarta's hot and humid weather.

The rectangular shape of the house filled the house's tapered site, leaving a vacant area in front of the open family room. Nearing the site's conclusion, this area is rather wide, large enough to accommodate a 2-meter-wide kiddie pool. The rooms close to the pool, which has a 1 meter depth, a blue mosaic inside wall, and overflow water flowing toward its perimeter of 12 mm tempered glass, are given a shooting ambience.

The master bedroom is located in the rear block, which is one floor higher than the front block. This master bedroom's window has a view of the Central Business District as its main draw, as well as a little alley behind the building. The sloped ceiling's peak's chamfered edge eliminates edges from its surface, making the room appear bigger and brighter.

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House Under Oaks 2 Juri Troy Architects

House Under Oaks 2 Juri Troy Architects

HOUSES•EICHGRABEN, AUSTRIA

Architects: Juri Troy Architects, Juri Troy Architects

Area : 215 m²

Year : 2018

Photographs :Juri Troy

Manufacturers :  GRAPHISOFT

Lead Architect : Juri Troy

The Gardenstrasse in Eichgraben's overarching idea is House Under Oaks 2. The location, in the heart of the 

Wienerberg Highlands, makes use of the natural landscape change. Despite its small size, the structure has three stories and can fit four people. family.without major modifications, and fits into the hillside

The major goal was to use as many locally available natural resources and sustainable materials as we could. 

Massive timber is used in the building. Ground source heat pumps are used to heat or cool the home, cutting down on costs and environmental impact.

Ground designs had to be carefully thought out because of the cramped form and essentially no circulation space. The ground floor contains the entrance zone, the first story contains the living space, and the second floor contains the bedroom area. Wide windows connect the rooms with the outside world, maximizing the utilization of natural light. A beautiful illustration of a sustainable construction and style of thinking is House Under Oaks 2. 

The house's interior, with its timber decor and picturesque valley vista, is where it truly shines, evoking the 

Wienerwald for the visitor.

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