La Pinada House Fran Silvestre Arquitectos

La Pinada House Fran Silvestre Arquitectos

HOUSES•PATERNA, SPAIN

Architects: Fran Silvestre Arquitectos

Area : 722 m²

Manufacturers :  Geberit, Alias, Zucchetti, Betacryl, Dekovent, Eggersmann, Flaminia, Gandia Blasco, Levantina, Papema

Interior Design : Alfaro Hofmann

Collaborators : María Masià, Estefanía Soriano, Fran Ayala, Ángel Fito, Pablo Camarasa, Sandra Insa, Santi Dueña, Ricardo Candela, David Sastre, Sevak Asatrián, Álvaro Olivares, Paloma Márquez, Eduardo Sancho, Esther Sanchís, Vicente Picó, Erika Angulo, Alba Monfort, Ruben March

Structure : Josep Ramón Solé (Windmill)

Project Manager : Studio 2

Technical Architect : Carlos García

City : Paterna

Country : Spain

The narrative of this home is told over twenty-one plateaus and seven books.

The project's goal is to give a house that has belonged to the same family for many generations a fresh and 

distinct identity. The original house was created through the combination of several interventions made at various dates and using various construction methods. Each room in the house reflects a certain chapter in the life of this family. Therefore, it was crucial to preserve the architecture, areas, functions, garden, and memories while also presenting them in a novel manner.

The objective of the project is to inject new life into a home that has been in the same family for many 

generations. The original house was built by combining a number of alterations carried out at various times and 

using diverse construction techniques. Every space of the home represents a specific period in the life of this 

family. In order to portray the architecture, places, functions, garden, and memories in a fresh way, it was 

essential to conserve them.

Rooms with a broad range of sizes and heights are produced by the interior's regard for the system of intermediate levels. The furnishings, which are the same gray hue as some of the garden's tree species' trunks, contain the old home's supporting framework.

The house is intertwined with the pine trees and the pleasant memories that abound here.

#trisarchdaily #archdaily #lapinadahouse

Music by : Bensound - Ukulele

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House Elvesgarden Stephan Maria Lang Architects

House Elvesgarden Stephan Maria Lang Architects

HOUSES•MUNICH, GERMANY Architects: Stephan Maria Lang Architects Area : 830 m² Year : 2020 Photographs :Sebastian Kolm Manufacturers : Bauer Innovativ, Marmor Baumann, Viabizzuno, Vola, Wiedemann Werkstätten Structure Engineer : Kohlars + Krückl Carpenter : Zimmerei Andreas Böhmer Design Director : Stephan Maria Lang Design Team : Steffi Senula, Tobias Hoffmann Interior Designer : Annamaria Papp Ionescu Plantsman : Franz Wieland Fire Protection : Alexander Hann Architect Joiner : Rolf Gerhard Möbel & mehr Metal Works : Max Gampenrieder Metallbau City : Munich Country : Germany

The young widow's physical and spiritual well-being were priorities when the Elves Home with the dark indoor pool was constructed. The project aims to produce something potent but understated. a delicate location that gives serenity and diverse viewpoints of the surrounding wildlife throughout the year.

It was more than just a practice in aesthetics. It is a place for spiritual renewal and purification of the body and soul. The main problem is an architecture that is closely related to nature, produced, and placed in relation to the surrounding forest-like landscape. Any architecture must have a strong connection to the outdoors and the changing seasons.

It's all about the various ways that light can be paired with its opposite, the shadow. Vertical apertures to the south allow direct sunshine into the depth of the space, while large glass doors to the west and east terraces link to the garden. The glossy painted ceilings and the bronze-plastered fireplace reflect the greenlight that is filtered by the huge trees. The inner grass wallpaper-covered walls and the dark-toned oak floor absorb the shadow play.

Warm and dark natural fabrics absorb the sunshine like a forest. The Japanese tradition of semi-dark, gloomy rooms, where the colors appear muted and the glow emanates from within, has an impact on the atmosphere. a place where the dark is warm and profoundly colorful.

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Link Youtube : https://youtu.be/A59uFcAWgJE

Brick House in La Eliana Sanchis Olivares

Brick House in La Eliana Sanchis Olivares

HOUSES•L'ELIANA, SPAIN

Architects: sanchis olivares

Area : 198 m²

Year : 2022

Manufacturers :  Ceramicas Mora, Cortizo

Construction Company : ATG Desarrollos

Quantity Surveyor : Julián Gordo

Construction Manager : Jaqueline Ramón

Pergola : Ernesto Pastor

Carpentry Expert : Ernesto Pastor

Windows : Juan Antonio Gil / Aluvista

Stone Supplier : Mármara piedra

Kitchen Consultant : Cocinas Llorens

City : L'Eliana

Country : Spain

We were asked to construct a single-family home on an old tennis court in the Valencia suburb of a long-

established beautiful city. It provided us with a flat area with background greenery, a large tree, and an ancient 

subterranean warehouse that had been converted into a swimming pool.

Due of the lack of communal activity in the streets of this urban model, we have developed an interior-focused 

typology to better understand how users interact with outdoor space.

The program is set up in a spine from the northern entry area to the terrace at the southern end of the property 

due to its length. The morning light enters the rooms through openings, gaps, and a courtyard on the east façade, while a flat, opaque façade on the west side seeks shade from the sun under the nearby greenery.

The house is constructed using white clay bricks as a nod to the nearby residential architecture. Each piece's 

size enables us to roughly translate the volumetric forcefulness that characterizes the project's outside 

appearance to the human scale. This assertiveness reaches its pinnacle in the vertical component that defines the "paellero," a significant aspect of Valencian social life. It is set off by a light, overhanging pergola made of 

pine slats on the southern terrace, which creates a covered outdoor area. The thickness of the enclosures, cross ventilation, and how the house responds to varied sun orientations all work together to generate a system of passive measures that enhance the climatic performance of the building.

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Muted House Aboday Architects

Muted House Aboday Architects

HOUSES•JAKARTA CAPITAL REGION, INDONESIA

Architects: Aboday Architects, Aboday Architects

Area : 260 m²

Photographs :Happy Lim

Ideally situated in Kebayoran Baru, this family home is on 260 square meters of land and is close to a main connecting route that can get congested during the morning and afternoon rush hours. Despite being close to the Jakarta Central Business District, the location is obviously not the best option for a family with three adult children.

The key issue that must be addressed in the design of this home is the requirement for a large amount of playground and activity area for kids. The house itself need not scream "identity" in order to fulfill the client's request. It has a striking subdued geometric prism facade in front of it that is set back 5 meters from the main road and painted in a warm, textured gray surface. The front, which has a few sporadic small square glass boxes on one side, is as drab as the inside walls, which are entirely stark white.

What the inside lacks in the front yard (as a playground), it makes up for inside. The house was divided into 2 main components by the architect to provide room for an interior playground. The 4.5-meter distance between these two blocks creates high voids that rise to a height of 12 meters over the narrow 'bridge' that connects the two distinct blocks. This bridge connects the pantry to the children's room, which doubles as a floating playground and has a view of the dining room below. It is a light, airy place because of the skylight above it. The high ceiling helps create air movement naturally, reducing the need for the air conditioning equipment. All of the bedrooms have internal windows that open to the central lofty voids, fully utilizing the principle of borrowing space to give the family's chambers a more spacious appearance. Children will fill this interior area with games and laughing during the day, while at night, the high ceiling will help control fresh air, bringing down Jakarta's hot and humid weather.

The rectangular shape of the house filled the house's tapered site, leaving a vacant area in front of the open family room. Nearing the site's conclusion, this area is rather wide, large enough to accommodate a 2-meter-wide kiddie pool. The rooms close to the pool, which has a 1 meter depth, a blue mosaic inside wall, and overflow water flowing toward its perimeter of 12 mm tempered glass, are given a shooting ambience.

The master bedroom is located in the rear block, which is one floor higher than the front block. This master bedroom's window has a view of the Central Business District as its main draw, as well as a little alley behind the building. The sloped ceiling's peak's chamfered edge eliminates edges from its surface, making the room appear bigger and brighter.

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House Under Oaks 2 Juri Troy Architects

House Under Oaks 2 Juri Troy Architects

HOUSES•EICHGRABEN, AUSTRIA

Architects: Juri Troy Architects, Juri Troy Architects

Area : 215 m²

Year : 2018

Photographs :Juri Troy

Manufacturers :  GRAPHISOFT

Lead Architect : Juri Troy

The Gardenstrasse in Eichgraben's overarching idea is House Under Oaks 2. The location, in the heart of the 

Wienerberg Highlands, makes use of the natural landscape change. Despite its small size, the structure has three stories and can fit four people. family.without major modifications, and fits into the hillside

The major goal was to use as many locally available natural resources and sustainable materials as we could. 

Massive timber is used in the building. Ground source heat pumps are used to heat or cool the home, cutting down on costs and environmental impact.

Ground designs had to be carefully thought out because of the cramped form and essentially no circulation space. The ground floor contains the entrance zone, the first story contains the living space, and the second floor contains the bedroom area. Wide windows connect the rooms with the outside world, maximizing the utilization of natural light. A beautiful illustration of a sustainable construction and style of thinking is House Under Oaks 2. 

The house's interior, with its timber decor and picturesque valley vista, is where it truly shines, evoking the 

Wienerwald for the visitor.

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House in La Moraleja Mariano Molina Iniesta

House in La Moraleja | Mariano Molina Iniesta

HOUSES•ALCOBENDAS, SPAIN

Architects: Mariano Molina Iniesta

Area : 959 m²

Year : 2020

Photographs :Imagen Subliminal

Manufacturers :  BANDALUX, Technal, Vibia, Baumit, Inalco, iGuzzini, Cype MEP, Cypecad, Ebanistería del Sur SL, 

Grupo Dima, Gunni-Trentino, Lluria, Saaci 2002, Tarimatec, loxone

Lead Architect : Mariano Molina Iniesta

Products used in this Project

BLINDS / MOSQUITO NETS / CURTAINS

Pleated Shades

Design Team : José Luis Zabala de Lope

Engineering : Félix Aramburu, Daniel Moreiro

Landscape : Marta Puig de la Bellacasa

Consultants : Alejandra Pombo, María Gil de Montes, Lara Elbaz

Collaborators : Lolo Rojo, Juan Miguel Frías

City : Alcobendas

Country : Spain

A home built around a holm oak. house with just one family in La Moraleja, Madrid. The home is situated in a 

historic and noteworthy construction in Madrid's metropolis. Despite local population pressure, the Mediterranean woodland has maintained a high level of environmental quality. Quality, in part, because the holm oaks that are already there have been preserved with care. the scene where

There are dozens of them spread around the soft topography where the intervention was established, and its most distinctive aspect is a the eastern part has a minor dip. The idea was inspired by the desire to construct an indoor-outdoor space around the largest holm oak in the entire plot, which is located next to this depression. In this fashion, the home is set up as an L-shaped structure, with wings that enclose a space in the lowest portion of the ground beneath this amazing tree.

The private areas of the owners are located on the second floor of the eastern wing of the L, which is oriented 

from north to south. The first floor of this wing merges with the outside area adjacent to the huge holm tree. 

Auxiliary spaces are located in the basement, communal areas are on the first floor, and kid's bedrooms are on the second floor on the western side, which is laid out from east to west. Because both wings are vertically offset by half a level, the home may gently adapt to the topography. A widely glazed access block that acts as the main lobby, a hinge between the two wings of the L, and, as previously indicated, the linking element for the various levels, solves the problem of connecting these half levels.

Through the use of white stucco and a sort of snecked rubble that is quite common in the Spanish Mediterranean region, the home attempts to convey in some way a Mediterranean image. At the same time, it seeks the proximity of the trees, diluting its presence owing to the play of light and shadow brought on by this very proximity, rather than attempting to have an objective or imposing character through the use of volumetric fragmentation and level play. Regarding the interior space, the same continuity with the surroundings is sought and particularly expressed in two areas: first, the aforementioned multipurpose room of the eastern wing, which aims to blend with the outside space next to the large oak, especially during good weather; and second, the dining and sitting room of the western wing, which is enclosed in its southern side by four large sliding windows that cover a span of 10 meters. Once they are gone, the porch and garden on the south side of the plot are completely integrated with that area.

Only when the access volume increases does the design become more dominant. The owner envisioned a place he termed "a sea of glass," inspired by the summers of his youth; a place where he could enter and feel at home, leaving behind the stresses and worries of daily life. This area, which rises to approximately 10 meters in height, negotiates with the topography and the vertical displacements of the various elements of the house while also having a strong theatrical quality: From the entrance, a balcony provides a view of the lower area with the large holm oak in the background; on the right, it provides access to the main hall and also creates a visual connection with it; on the left, it indicates the way up to his private space; and finally, a bridge connects this point with the children's area. We are hopeful that the house's size, the view of the backyard garden from the front, the noontime flood of sunlight, and the complexity of the connecting parts will help create the "sea of glass" sense that the owner yearned for and for which he designed it.

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House 007 Lineastudio Arquiteturas

House 007 Lineastudio Arquiteturas

HOUSES, HOUSES INTERIORS•SANTA MARIA, BRAZIL

Architects: Lineastudio Arquiteturas, Lineastudio Arquiteturas

Area : 490 m²

Year : 2017

Photographs :Cristiano Bauce

Manufacturers :  Alubra, Ampla Moveis&Decor, Andrea Feine, Atualle, Cinemashow, Dalla Pozza, Fell Esquadrias, 

Floricultura Modelo, Ilumine, Marmoart, Móveis Kieling, Visual Vidros

Construction : Construtora Salomone

Structure : Sarkis Engenharia Estrutural

Electric : Engº Daniel Zanini

Hydrosanitary : Ricier iDickel

Pool And Solar Heating : Cemacon

Authors : Zé Barbosa, Luara Mayer, Roberta Noal, Lísian Ceolin, Giana Sperotto, Paola Borges e Verônica Viero -

Linea Haus, Linea In, Linea Eco, Linea Plan.

Design Team : Zé Barbosa, Luara Mayer, Roberta Noal, Ronald Jung, Giana Sperotto, Paola Borges, Raphael Ribeiro, Verônica Viero, Luzia Olivier Brand, Gabriela Brambatti, Laís Martini, Isadora Daltrozo.

Pool : Cemacon 

Solar Heating : Cemacon

Electrical : Daniel Zanini

City : Santa Maria

Country : Brazil

The modern home, which has a view of the hills that Santa Maria is surrounded by, explores materiality and makes use of visuals and the sun's direction. The floors' functional plants have spacious spaces that extend outward, maximizing the utilization of natural lighting and ventilation.

The project's standout feature, along with its austere color scheme and minimalist furniture design, is the 

seamless blending of the interior and exterior spaces. These components interact with one another to produce a seamless outcome that supports the suggested language.

The seeming concrete and the glass's transparency elevate the carefully balanced composition of opposite volumes. 

The volume balance of the second story shields the entry door.

By extending the concrete frame of the second level, which generates an interesting relationship between filled and leaked, the composition becomes horizontal.

The apparent concrete box that forms the second story appears to be sitting on the ground floor, which carries 

over into the volumetry of the frontage facing the garden. The large balance of the second story, which generates the ambience of the balcony, serves as a point of compositional tension in the project.

Integration - Through the opening of big sliding doors, the vast social room, which is made up of living and 

eating areas, may be integrated with the kitchen, with the gourmet space, or with the toy library. The gourmet 

section leads onto the pool garden and has a sitting room and a grilling area.

The toy library, which was created especially for the child, showcases her personality and contains a shelf with 

room for toys and books. The bespoke woodwork, which is constructed of pine blades with colored niches, is lit to draw attention to specific items. The border that the TV background extends up to has inlaid miniled lighting that creates the illusion of a starry sky, adding to the whimsical atmosphere. Futon bases are made of pied-de-poule carpet from Emporio.

The slatted panel in blond beige wood that lines the full wall and separates the settings of the bathroom and the 

dormitory is the focal point of the couple's suite. The hot tub is connected to the suite via a fixed glass. For 

compositional touches, Salvatore's Terni leather rug and Carlos Motta's Alvorada balcony armchair are used to appreciate the special perspective of the hills that encircle Santa Maria.

The daughter's bedroom's color scheme includes a white background with romantic wallpaper covering every wall. The TV is protected by the vertical element, which also considers closed and open niches and arranges the dressing and sleeping areas. The gradient pink of the bathroom's furniture and accents, including the traditional mirror and the makeup cabinets, blends well with the upholstered headboard and set of bedspread and cushions in hues of pistachio green. The Rodes, Bertolucci pendant hangs from the side of the bed.

The species picked for the pool garden match the front garden's tropical theme. Around the pool, Phoenix and 

Imperial palm trees may be seen. A single CerPalmatum stands out near to the balcony, while Patas-de-Elefante and a Jabuticabeira may be seen in the concrete pots. Natural stone from Hijau was used to line the pool, while solariums and wooden decks were located nearby.

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